Top Vocal Vst Plugins
- Best Vocal Vst Plugins Free Download
- Best Vocal Mastering Vst Plugins
- Best Vocal Vst Plugins 2020
- Top Vocal Vst Plugins Plugin
- Top Free Vocal Vst Plugins
Listing the best vocal mixing plugins is difficult. There are countless VST plugins that excel at treating vocals. There are also several vocal mixing plugins equally as good at doing a specific task. To help narrow down the extensive selection, we rounded up 15 vocal mixing plugins widely used by music producers and mix engineers. You can’t have a discussion about VST plug-ins for vocals without highlighting Antares Auto-Tune — it’s arguably the world’s best-known vocal plug-in. Even folks who know nothing about audio engineering have heard of it. This is an autotune VST plugins designed and developed by Auburnsounds. This plugin is superb in the way it handles pitch correction. It not only supports pitch correction but supports the generation of throat sounds, making octave sounds, enriching, and enhancing vocal expressiveness. I have searched for the best of the best vocal VST plugins and made a list of the top 5 plugins that you simply need to have. Make sure to check out these articles too: Auto-Tune Plugins; Real-Instrument Plugins; Master List: The Best VST Plugins; Lyric-Writing Tips: 7 Pieces of Advice That Will Change How You Write Music; How to Make Vocals. How you use the plugins you have is 10 times more important than having expensive gear. Master your stock plugins before you upgrade. Learning to use the gear you have now will make you a way better mixer. That said, if you are good with your stock plugins, then upgrade away. I can help you zero in on the plugins that work best for you.
Let’s get your vocals under control with the best vocal compressor plugin software.
As each compressor plugin software is different, and there are myriads out there to choose from, we’ll keep it simple, and take a look at 5 of best best choices out there…
All of which were researched and recommended by the best.
Quick answer: Softube Tube-Tech CL 1B is the favorite, but if you’re looking for something less costly, take a look at the FabFilter Pro-C2 as perhaps the most popular option out there.
However, picking off a couple isn’t good enough, compressors differ based on character and style.
So let’s take a closer look 🙂
Find more great gear here:
EQ Plugins for Vocals, Top Waves Audio Plugins, Tape Emulation Plugins,Vocal Microphones
Vocal Compression Guide
What is a Compressor?
Compressors are a bit of a controversial plugin in some ways, as to many it is mystery how it works… and even more of a mystery as to what it can do for them.
This is especially true when it comes to vocal compression.
But as simply put as possible, a compressor compresses dynamic range. So that means that above a set volume (threshold), the compressor will limit the amount of volume increase going out the back end (output) compared to what is coming in the front end (Input).
Given that basic function (compressing and audio signal’s dynamic range), you can imagine the vistas of creative potential open to producers. Imaginative engineers realized you could use them creatively to re-shape the transient shape of sounds. Presto! Compression algorithms became secret sauce.
Hence many fancy named compression techniques, such as of side-chaining, parallel compression, etc., are now used. But not just in a technical way, but as if the compressor was itself a musical instrument.
However, we are on the topic of vocal compressor plugins. So, keeping that in mind, there are a few features that every good compressor should have. Let’s find out.
Features to look for & How to choose
If you follow forum discussions, you will find a lot of opinions about the various types of processors out there. Each producer has their favorite because, given time and experience, one compressor can be somewhat like another.
All compressors will should have these:
- Threshold – which determines the level your audio signal must be before the compressor can reduce its volume.
- Ratio – determines the level of compression that will be applied to the audio signal once the loudness threshold is reached.
- Attack – how fast or slow the compressor will be activated to reduce loudness.
- Release – how fast or slow the compressor will be deactivated to return the audio signal to is original level.
- Knee – smooths out the ratio so that there isn’t a sudden change in dynamics.
- Make-Up Gain – used to “make-up” the amount of gain that has been lost from all that amplitude attenuation.
- Output – allows you to increase or decrease the sound coming out of the compressor to a desired level.
For a more detailed explanation of each, read thisreal funny exposition of audio compression in music production.
Beside these featured listed, a compressor may function slightly differently, or offer some additional features that make them useful for whatever purpose you want to use it for… in this case, mixing and recording vocals.
Character and Vanilla
There are “Character” units, and “Vanilla” units. Like the name suggests, a good character compressor will add some depth and personality to your vocals. A vanilla compressor will get the job done without you know it was even in the room, like a good butler.
Other than that, another thing to look for in a compressor is versatility. That and the ability to get the results you want reasonably quickly.
Sometimes those things will conflict a bit. That is why we choose a plugin which fits our needs the best.
Best Compressor VST Plugins for Vocals
Softube Tube-Tech CL-1B
Price & Demos @ Plugin Boutique
Softube is a great name in overdrive DSP and this FET emulation has many, many fans. This one is of an optical unit. A high-ticket opto unit that many love for its “musicality,” but may be out of some user’s budget.
Feature wise it’s a lot like the popular CLA-76 from Waves that we mention below, but the source unit has a unique behavior that made them a top choice. The optical method is prone to being softer and gentler to vocals, while still being able to lay down the law when necessary.
It is all about the secret DSP sauce of how nothing is really linear. Add 2db of Gain and suddenly your sound is different. Changing one knob is like changing five knobs on a “clean” compressor. Over time you can get a sense of what is going on. Until then…
You tend to start out wiggling the vaguely labelled knobs and suddenly something great appears in the murk. This is character processing at its best, and if the unit sounds good then you can’t beat it.
The only downside to nitpick at is that if you’re a control freak you can also find it frustrating, since you can’t so much “control” this unit but rather “guide” it like an air traffic controller guiding a Boeing 747 onto land.
That said, it’s good to give up some control, especially if you know there were some experts at the wheel behind this thing, and the results are often solid.
If this is the path for you then close your doors to the world and make this the only device you use for everything. Just like they did back in 1965. It is part of your “sound.”
Demonstration
Waves CLA-76
Price & Demos @ Waves Audio
Waves have been around for a very long time and for much of it as the top name in the game. Their plugins used to be really expensive. Nowadays if you catch them on sale they are cheap as chips. And general pretty good value for that.
The CLA-76 comes in two guises (blue & black) and both are emulations of versions of a classic 60’s Compressor/Limiter. People still pay big coin for hardware versions of these things for “modern” recordings.
Feature wise, these units don’t have a lot on offer. Input, Output, speed the Ratio Curve operates, and then a section of Ratio pre-sets. Sounds dull, I know, but in-practice they can be great.
CLA-76 has a pretty fast Attack, meaning there isn’t too much time between a loud transient arriving and the compression goblins leaping into action. Great for drums as you can really flatten them to add thickness, edge and size.
And for vocals? Depends on who you are. Some like the CLA-76 for vocals for that very same reason. Merciless attack times, the ability to really crunch those pop vocals. Others don’t. But some producers, like Chris Lord-Alge, swear by them for the “the sound.”
Another thing to watch out for is that these units add saturation which changes the “weight” of the sound with wee bits of distortion overtones (and some undertones too). This means the units respond very nicely to being hit hard.
Demonstration
Softube FET Compressor
Price & Demos @ Plugin Boutique
More Softube, more emulation. Everyone loves a bit of bounty hunter scum. Or so it would seem with another 1176 emulation. This one looks more like a 70’s Hi Fi than the original though.
Price-wise, when it’s not on sale, it costs more than the Waves unit mentioned. So it’s a good idea to take a look to see if you’re lucky.
However, FET has more features. Softube added some more modern features (along with improving the flow of the knobs) so you can parallel process and alter what parts of the signal trigger the processing goblins. This is doable with some effort in your DAW with the CLA-76, but far easier in the FET.
Again, some people love it on vocals, as it can really rough them up add some punch where needed. Many think the parameter additions make this a better bet there. Just keep in mind that some have noticed that the FET can slide into distortion if you aren’t paying attention.
This is a character effect (processor to be accurate). So be aware that, while you can use it on everything, including vocals, you may find that you’d want to slap this bad boy onto different things in different places.
Demonstration
Softube Summit Audio TLA-100 Compressor
Price & Demos @ Plugin Boutique
Another minimalistic blast from the past. The Summit Audio units got popular in the 80’s, particularly for vocals.
The reason this style of unit works so well for vocals is that it tends to be kind. Besides the Tube-Tech, the other compressors so far have tended to be rough and rowdy (which has its charm) but the TLA-100 is smoother and less noticeable as it goes about its work. Free drum machine vst plugins.
“Smooth”, “controlled”, and “softening” are common adjectives applied to the TLA-100. Softube added a few extra features including a separate saturation section so you can control how tubular it all gets.
The Parallel options seems slightly unusual as that effect is normally used with more brutal compressors but we won’t complain that it is there.
This compressor isn’t a jack of all trades. But if you want a character unit to supplement your core compression, or you want to choose one unit to live with then this could be it. I may just suggest that it could see you struggle with less controlled singers like Rappers.
If you ever feel the need to lay down the law in your vocal mix, refer to the other units mentioned. But for singer-songwriter tracks, this is great.
Demonstration
FabFilter Pro-C2 Compressor
Price & Demos @ Plugin Boutique
This fellow is the real odd one out here. Not because it’s the best or the worst, but because it’s not a character unit. Pro-C2 is all about modern, practical, versatility, and clean.
This is the modern jack of all trades, cover every piece of ground, device that many of us bedroom boys love. Why buy and learn 78 devices when you can get one?
It is also simply the go-to plugin for all your compressing duties on every track, not just vocals. So it is well worth it.
You get a lot of modes targeted at most of the common things you will want to do with a compressor. For instance, its vocal mode helps you to bring vocals to the front of the mix. A nice little addition to a plugin.
Analog, Classic & Optical style modes are also on the list. But honestly, it is doubted that they can really compete with the dedicated units mentioned above. Think of it as leaning a bit that way.
Upside? This is the only unit here to offer control over the Knee of the compression critters. Boggling if you don’t get it but super useful if you do. Especially when it comes to vocal mixing.
Also, if you ever needed to learn how to use a compressor for mixing vocals, you’ll probably find about as many engineers on Youtube showing you how to mix vocals via the FabFilter Pro-C2 than any other one mentioned. You probably think of it as the ‘Fruity Loops’ of compressors.
Also, rather than being stuck in an old-hardware frame of mind the interface is visually informative and very adjustable to suit your task or preferences. You can even pop it full screen on an unreasonable large Retina display!
Demonstration
Waves Audio V-Comp
Price & Demos @ Waves Audio
Waves V-Comp rides on the vintage Neve’2254’s classic sound with its super-responsive dynamics processor.
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It has all the typical compressor controls and its interface is intuitive and easy to use. The V-Comp also features a De-Esser switch which functions like a high-frequency side-chain to smoothen harsh high frequencies in the mix. This is a nifty feature that can be turned on and off with a single switch. Also included is a limiter that can be used independently.
While some user reviews do not seem convinced of the V-Comp’s emulation of the actual 2254 machine, many are satisfied with its silky smooth compression. V-Comp lends a unique ‘analog-ish’ color to the entire mix, which we believe to be a commendable feat in itself.
Its vintage-style squashing of the transients is also convincing. There is a bit of warmth in the processed signal which can be further shaped by the De-Esser and the limiter functions.
Needless to say, the V-Comp is a good option for those who want the most out of their buck, especially if you’re going for an easy-to-use plugin that fits most styles of sound.
Waves CLA-2A
Price & Demos @ Waves Audio
The CLA-2A is modeled after the legendary Teletronix LA-2A, a tube-based compressor from the 1960s. The Teletronix LA-2A is prized for its electro-luminescent optical attenuator. The Waves CLA-2A emulates this frequency-dependent action for smooth gain reduction.
Producers love the multi-stage release and the CLA-2A’s quick response, both of which add character to the mix. It seems that most producers use the CLA-2A for leveling purposes, particularly for bass sounds. But it has also proven itself as a competent vocal compressor as well.
Included when buying the CLA-2A are presets made by Grammy-winning mix engineer Chris-Lord-Alge, a side-chain frequency filter, and a limiter mode.
The CLA-2A does not have a lot of tricks, but its historic sound and simplicity makes up most of its charm. It has more than you would ever expect from a product of its price point.
Waves CLA-3A
Price & Demos @ Waves Audio
Based on the original 1969 solid-state compressor, the Waves CLA-3A boasts a transparent compression curve. This ensures a fast response from attack to release, a perfect tool for high-tempo music.
Moreover, it packs a subtle harmonic distortion for some added spice. This works best for bass, as it brings out a unique kink from the sound. Nonetheless, the CLA-3A infuses this edge to your vocals without ruining the signal.
Like the CLA-2A, it uses an optical attenuator for gain reduction. The algorithms behind the compression are program dependent. This means that it is hard to say how a particular setting would change the quality of the sound. This unwieldiness is expected out of any ‘vintage-style’ compressor and is what makes it fun to use.
The CLA-3A’s interface is fairly simple. It has a Peak Reduction knob for controlling the desired compression, and a Gain knob for adjusting the levels after compression.
Overall, the CLA-3A can be used for a wide variety of applications. But its magic is most potent on bass, vocals, and guitars.
Waves Renaissance Vox
Price & Demos @ Waves Audio
None other than Drake’s producer Noah “40” Shebib has praised this plugin as “one of the most important plugins ever made.” These high words of praise are only equaled by the Waves Renaissance Vox’s packed features.
What the R-Vox lacks in visual appeal, it makes up for in its ‘under the hood’ bag of tricks. It deploys an entire array of expansion, compression, and limiting gadgetry, most of which happens by way automation.
But despite the complex tech behind R-Vox’s processing chain, users are only given three controllable parameters, which are expander and compressor thresholds and output attenuation. Needless to say, producers who want more control over the attack and release times may find the Renaissance Vox too wild of a beast to tame.
Nevertheless, this plugin’s ‘plug-and-play’ philosophy helps producers focus on other mixing aspects by automating the gritty details. And it does this to excellent effect. An instance of R-Vox instantly puts your signal into the front and center of the mix. It adds weight to any signal, which can help for weak-sounding vocals to stand out.
Another added bonus is its relatively small CPU footprint. You can chuck in multiple instances of the plugin without putting a strain on your machine.
Final Thoughts
What to do?
The Tube-Tech CL 1B unit is the favorite by far. But being a high-ticket item, you may want to consider the other four units mentioned if you’re on a tighter budget.
Then, you can decide if you want to commit to a path, like owning one unit that you use for everything, or having a couple that fits diverging tastes. In the latter case you won’t have one unit that you have to “fight with” to submit to every path that comes across your DAW.
If you’re thinking a character unit, then it really comes down to what appeals to you mostly. Namely:
Waves CLA-76, Softube FET and Summit Audio TLA-100.
Waves CLA-76 and Softube FET may suit people who mix harder and louder (as most of us have to these days), and whose vocalists need more discipline. Submitting to the Summit Audio TLA-100 could be perfect for the folksier amongst us.
But if dollars are the deciding factor, then check if Waves is having one of their many sales right now go grab it!
But for the vanilla producer/engineer, the FabFilter Pro-C2 has so many possibilities. Not only in the “I can’t believe it’s not butter” processing, but in dramatic or effect processing that makes it hard to pass by.
If you want just one compressor and don’t mind the vanilla, FabFilter Pro-C2 is the one ring to rule them all.
The Tube-Tech CL1B, when powered up with the Collection Upgrade, proves itself to be a very competent product. While definitely among the most expensive in the list, its versatility and its added features make it worth every buck.
But one cannot also ignore the CLA-2A and CLA-3A, as these are also very powerful compressors. What makes them interesting are their unique vintage features. If you’re looking for something that would help you develop your personal sound, these two products might suit you the best.
Of course, one could never go wrong with the Renaissance Vox. While also learning more towards the pricier side, the simplicity and the sheer power of this plugin makes it an awesome choice for newbies and vets alike.
On the other end of the spectrum is the FabFilter Pro-C2 which is as simple and vanilla as you can get. If you’re looking for a no-nonsense compressor that does its job, the FabFilter is an ax that will never fail you when you need it the most.
Whether you want to correct and “clean” a vocal, or you want to make a remix and alter a vocal to something crazy and different, VST plugins are something that make your life easier!
Best Vocal Mastering Vst Plugins
Pretty much all commercial music today (even acoustic music) uses a select choice of vocal plugins to perfect it.
Correction and manipulation of a vocal has never been this simple to do. Of course it will take some practice and a trained ear to perfect it, but the point is that anyone in the world can download a plugin and start processing
I have searched for the best of the best vocal VST plugins and made a list of the top 5 plugins that you simply need to have.
Make sure to check out these articles too:
Nectar 2 Production Suite
UPDATE: We previously mentioned Nectar Elements. Nectar 2 is the plugin that replace Elements. If you have Elements, you can purchase Nectar 2 for a discounted price.
Already famous iZotope has made yet another amazing plugin!
Whether it’s Pop, Rock, Folk, or Soul, you can get astonishing results and be amazed at what this plugin has to offer.
With professionally designed and easy-to-use Style presets, you can easily modify your sound by altering those special per-Style controls like Presence, Drive, and Grit.
Each Style allows you to choose between many different vocal styles.
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You can make a grunge band sound like Daft Punk with just a couple of clicks of your mouse, or you can just slightly improve some of the vocals, and you can do those things with special per-Style controls like Clarity, Warmth, and Sparkle, as well as standard controls like Levels and Space.
From a gentle, warm sound to loud screaming noises, with Nectar Elements you will be able to achieve them all.
Nectar 2 Production Suite is compatible with both Windows and Mac, and the price is so low that you purchase it, you’ll never regret it.
Waves Tune LT
This Waves product is a special edition of Waves Tune, with the same quality, but with an easy-to-use interface and controls.
Of course, you don’t have the same features as in Waves Tune, but this little package contains everything that you need for processing, creating, or manipulating voices to adapt them to the style you like, and make them a perfection!
If you are a vocalist or a producer, and you have troubles achieving that superb sound that you are looking for, Waves Tune has all the tools you need.
For example, when Tune is inserted into a track of your audio sequencer or editor, it detects the signal’s pitch and corrects to the nearest “clean” (in-tune) note.
Low price for such a good product? It’s an A+!
Waves Tune LT is compatible with both Windows and Mac, and if you are not, for some reason, satisfied with Waves Tune LT, you can always buy a full version of Waves Tune.
Vocal Synth 2
Maybe recording vocals is not enough for you.
What if you can really mangle around your vocal tracks, combine vocoder and talbox style effects, apply unique filters, and automate everything.
Top Vocal Vst Plugins Plugin
Vocal Synth 2 allows you to have all of the control of a synthesizer on your vocal tracks. How about that?
What’s awesome is that all of the effects inside this single plugin are modularized so you can easily disable the effects you don’t want and include what you do want.
Speak Up
Let’s start out by saying Speak Up isn’t really designed for music production, although there could be situations where it becomes helpful.
It is meant for voice-overs and commentary. If you run a podcast, this will be your new secret weapon!
On first impression, you’ll notice that this plugin has fairly simple controls – but don’t be fooled! Behind the scenes, Speak Up has all sorts of fancy voice detection going on to make sure your audio is coming out crisp, clear, and at proper levels.
Talkie Box 2
UPDATE: Since writing this article, Talkie Box version 2 released, woo-hoo! It has a new, gorgeous UI.
This fun little product from Digital Brain Instruments allows you to process your voice to emulate walkie-talkie, radio or telephone sound effects.
You can even create a lot of your own background noises and voice effects, making Talkie Box perfect for sound designers and game developers.
Filters that Talkie box contains are distortion, 3-Band Parametric EQ, High Pass, Low Pass, Bandstop, and Resonance, pretty much the filters that are basic and usable for many things.
Talkie box also contains a lot of features that can help you simulate a walkie-talkie conversation to the tiniest details.
You can even generate your own Morse code messages!
You can just imagine all of the sound design possibilities that are possible with this plugin. Whether you are producing for films, games, music, or whatever, this plugin will, without a doubt, help you out.
Talkie Box is compatible with both Windows and Mac and has a low price comparing to the quality you get with this plugin. It is a pleasure to use it.
Greg Wells VoiceCentric
Greg Wells VoiceCentric is a plugin that has the word professional written all over it! This is a plugin made by Greg Wells, a famous producer, songwriter and mixing engineer for Adele, Katy Perry, and One Republic, that was also GRAMMY-nominated in multiple occasions and has songs on over 85 million units sold!
VoiceCentric is a user-friendly plugin featuring one main control and three additional controls for Wells’ customized Delay, Doubler and Reverb settings.
The credibility of this producer is not something to argue with. He created this plugin to improve his workflow in processing vocals and it can improve yours as well.
Greg Wells VoiceCentric is compatible with both Windows and Mac.
The price is a bit higher, but if you are looking for an A-class sound, you can’t make a mistake if you buy this plugin.
CLA Vocals
How can we talk about vocals VST plugins without mentioning Chris Lord-Alge Vocals. It is a fantastically useful tool approved by the one-and-only Chirs Lord-Alge.
Top Free Vocal Vst Plugins
The largest benefit of using this plugin is that it is super easy to use yet is very powerful.
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Overall, all of these plugins can satisfy a different style, from professional singers to game/movie sound designers. But they are all the best in their field of work, so, whichever plugin you choose to buy, I bet that you will be satisfied, like many other customers that already are!
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