• The free version of MuLab supports 8 VST plugins for each project, 4 tracks per composition, one MIDI input/output, and 2 audio input/output. If you exceeded the limitations of this free version, then you will hear a soft noise in the background while playing the audio.
• MULAB Free - Making use of VSTi First of all - What is a VSTi? VST stands for Virtual Studio Technology. This technology is a publicly defined interface for linking audio components together.
• Xfer Serum Vst free download is a modern wavetable synthesizer synth plugin that uses sample data to create sound loops. Wavetable determines the speed of waveform and harmonics of the produced sound. Wavetable Oscillators are the main reason of superior quality sounds.

Download MULAB 8.6.24 from our website for free. The most popular versions of the program 8.6, 8.5 and 8.0. This software is a product of MuTools. MULAB belongs to Multimedia Tools. This PC program is developed for Windows 7/8/10 environment, 32-bit version. The program's installer file is commonly found as MuLab.exe.

What is an effect?

Audio effects are modulations applied to an audio signal to change its character.

When an audio signal is recorded, it may have some defects or not sound exactly like what is expected. Audio effects are signal processing modules that take the audio signal and alter it by any means. The original signal (dry) can be mixed with an effect to produce an altered sound (wet). The means to do this are many.

- Another audio signal can be applied that will attenuate and amplify certain frequencies.
- Another wave shape can be added or subtracted.
- Certain frequencies can be filtered out, others can be allowed to pass.
- The entire waveshape can be controlled.
- Phase can be altered.
- Speed, Tempo, and pitch can be altered.
- Part or all of the signal can be delayed and fed back (creates an echo).
- Part or all of the signal can be clipped (distortion)
- Amplitude can be limited - by frequency.

Many of these techniques are combined to create elaborate effects. The variations are essentially unlimited creating a whole industry that provides unique audio effects to produce unusual, but musical output. Furthermore, many effects allow the control of the end result (wet or dry). The effects modules (as you will see) can be very complex and have many different controls that alter the signal in ways that you may not understand technically. However, by tweaking each control, sometimes in concert with companion controls, the wet audio signal can be easily monitored to get the desired result. It is beyond the scope of this tutorial to get into how each effect is created. The number of effects and combinations is staggering.

Effects modules are created by thousands of developers. Each developer has their own ideas about how the effect should be controlled and presented to the Audio musician. In effect (a pun), audio musicians must learn the nuances of each effect module that they use and the learning process can be quite difficult because these modules are so diverse. Please tour the internet searching for VST Audio effects and check out the diversity of modules. Most developer websites have a screenshot display of the appearance of their module. Many are extremely impressive.

We will be discussing the use of VST audio effects that can be inserted into your project as a 'insert' effect. That means that the output of the effect module is inserted directly to the audio output down a one way street called a buss. There may be stops along the way for additional effects to get in on the action. In the MULAB studio, these busses are called Racks and they have convenient empty slots for adding effects to a specific input signal. This type of audio processing is very common in studio programs which are set up similarly although sometimes the buss is not as clearly defined and you may have to look deeper to find out where the signal is going. These Plugin effects are sometimes called Insert Effects because they have been inserted in the audio stream and the audio signal passes entirely through the inserted effect.

Adding a VST Effect

So far we have only placed synths (VSTi) instruments in our VST folder. Now it is time to add some effects modules. So let's return to the factory where many effects have been made to satisfy a variety of needs. Use your browser again and return to the mda VST factory. Choose either the VST effects for Windows or for OSX and download the ZIP file to your Download Folder. Once the file has been downloaded, Open the ZIP file by double-clicking on the ZIP file name. At this time, we are only going to install two effects:

Mulab Free Vst Download

- mda RezFilter - a filter and low frequency additive signal processor
- mda Delay - An echo style delay module

So drag these from the ZIP folder to your VST folder. That's all it takes to install these modules on your computer.

Start the MULAB Free program. Open the Clementine session.

Note: If you didn't make an audio recording, that's all right. You can still do most of the tutorial which will apply mainly to the mda-piano track. If you didn't save the Clementine session, go back to the Audio Recording tutorial and follow the instructions to save the Clementine session with a midi piano track.

Click on the EDIT Button, and then select the VST Plugin Manager. Click on Add VST Plugins button. Use the explorer to locate your VST Folder, highlight it and then click on OK. Or you can individually highlight and add each .dll file (.au file for OSX) - one at a time (recommended). When the plugins have been added, Click on OK to exit. Click on Done to exit the list of Plugins.

Add an Insert Effect

Click in the first empty slot in Rack 1. Then in the Choose Plugin box, select Effects>VST and the MDA RezFilter. This will load the effect into the Rack and place the effect in the Audio Stream. Right clicking on the mda RezFilter slot will reveal a number of options for temporarily disabling the effect (Process Off) or you can delete the effect if you choose not to use this effect. For now we will leave the Process On. Click outside the box to close the box.

The effect name now appears in the window. You can always bring up the RezFilter display by double-clicking on the slot or clicking on the little arrow at the right edge of the slot.

Note: The mda RezFilter VST module has no special graphics display associated with it. Host programs, such as MULAB, usually include a default capability to provide a graphics display of the active controls in any VST module, so the display you see here has been provided by MULAB.

mda RezFilter - Each control in the default graphics display has a Knob that can be twisted by clicking on the knob and dragging the mouse vertically - Up = more, Down = less. Alongside the knob is its name and the current amount of control displayed in text format. If the settings are too sensitive, press the Ctrl key when moving the knob to get a finer control over the control amount.

Set these controls approximately like the display:

- Freq 48%
- Res 78%
- Output 0dB
- Env->VCF 0%
- Attack (minimum)
- Release (minimum)
- LFO->VCF 49 S+H<>Sim
- LFO rate 10 Hz
- Trigger FREE RUN
- Max Freq 50%

Now play the tracks. You will note that the character of the mda-piano has been significantly altered with a warbling effect. Play with the controls of the RezFilter to gain some experience with each of the controls. You will note that many of the controls have no effect unless other controls have come into play. This is the nature of a complex effect. To hear the effects clearly, you can mute the audio track (click on the little speaker to the left of a track to mute it) and play only the mda-piano track. This allows you to listen to the effect of the controls more easily.

Note: To get into the aspects of how each control may effect the Audio signal is beyond the scope of this tutorial.

Add another insert effect

We will now apply an effect to the vocal track. In order to keep our bearings, lets name one of the Racks as the Audio Rack. Move your mouse down to one of the Racks and right click on the name e.g. Rack 1. From the pop up menu choose rename and name the Rack as 'Audio' or 'Vocal' so it will be easy to remember. Now, right click on the Vocal track header and choose the target as the Rack you just named.

Right click on one of the slots in the 'Audio' rack and choose mda-delay from the VST effects. You should see a display similar to this (left). This adds the plugin to the processing Rack.

Play the audio track to hear the delay effect. A pronounced echo will be heard. Move the L Delay down to about 30ms and move the R Delay slider down to 0. Now the audio track recording will sound much more natural but as if it was recorded in a larger room. The delay is a mechanism to create an echo and it can be adjusted to allow the audio signal to appear to have been recorded in an entirely different environment.

You can also add this effect to the mda piano mixing strip to get a similar effect, but since the first RezFilter effect already has some delay in it, the overall effect will not be as pronounced.

Note: In MULAB, you can insert several effects into each Rack. The effects will be processed in the order that the effects appear in the Rack. To temporarily Remove the processing of an effect, simply right-click in the effect slot and choose Process Off. Or click on the Green On/Off button in the upper left cornet of the VST effect display.

Save your session, so that these effects and their controls are also saved.

Advanced

In MULAB, the Racks are extremely flexible.

If you click just to the left of the slot names, you will see a little triangle pointer move vertically to the place that you clicked. This pointer marks the position that the GAIN and PAN sliders will be effective. So, if you wish to control the volume of the audio signal before it reaches an effect, you can place this small pointer above the slot that contains the effect. In some DAW this is known as Pre-fader and Post-Fader.

If you click on the last slot (currently named as 'Master') you can redirect the audio signal to another Rack (adding six more slots in the chain) or directly to the Audio Output device.

Right-clicking allows you to select Event (Midi) output or Audio output.

You may also drag (move) a plugin to any slot in any rack.

Click on an empty slot and you will note that you can 'send' the output also to another rack. A 'send' (as opposed to an 'insert') sends a copy of the audio signal. When a send is designated, a tiny amount fader will appear at the right edge of the slot. The Amount fader will allow you to adjust the level of the copied signal being sent. The major use of a 'Send' is to route more than one Audio signal to a Rack that contains an effect that can control more than one Audio signal with a single controller or to create a mix of the dry and the wet signal. This is very effective when using many tracks - such as a String section - and you want to vary all of the strings together.

The little circle in the upper left corner of each Rack is a device to toggle the width of the Rack to conserve space when many Racks are used. Look close and you will see that the circle contains a '+' or a '-' depending on its condition.

Summary

VST effects will alter the audio signal in an almost infinite number of ways.

VST effects are stored as VST modules in the VST folder in a separate category of 'Effects'.

To insert an effect to the output of a track, simply direct the track output to a Rack and then click on a slot in the Rack to insert a VST effect. The name of the effect will appear in the slot and an arrow (Edit) button will be placed alongside the name. Click on the Edit button to access the controls for the effect. Select a send destination from an empty slot to send an adjustable copy of the audio signal.

Note: MULAB also contains a large selection of built in effects that can be inserted into a Rack in the same manner as a VST effect. These effects can be selected from the Choose Plug-In box by clicking on the MULAB tree. You may find MuVerb, Tempo Synced Stereo Echo, Multi-Mode Filter, and under Devices you can build your own effects.

Mulab Free Vst Plugin

First of all - What is a VSTi?

VST stands for Virtual Studio Technology. This technology is a publicly defined interface for linking audio components together. The VST was developed by Steinberg (www.steinberg.net) first for the MAC and later for the PC where it has burgeoned with the release of thousands of VST modules that process sound using the common interface defined by Steinberg. Steinberg first introduced the VST concept in their Studio software Cubase VST. After the concept was made available to the public, it has become a standard for developing effects and sound generators and the interface has been adopted by many other audio software developers (such as MUTOOLS MULAB). The VST modules are sometimes referred to as Plugins, because they have a common interface and can be 'plugged' into a common software socket.

Plugins can also be obtained as DX and DXi modules. DX is short for DirectX, a plugin technology developed by Microsoft and principally available for the PC. For our discussion we will limit the Plugins to VST modules since the MULAB studio software is also limited to using VST Plugins. There are hundreds of free VST Plugin modules available for download on the internet. Most are compiled for the PC, but many are available for MAC and OSX. To utilize these modules, they must be downloaded from the Internet and then installed into a VST folder. This folder is then made known to audio processing software (e.g. MULAB) so that the software can locate and utilize the Plugin. This tutorial is oriented at the use of freely available Plugins, so that there should be no barrier to being able to complete these excercises.

Studio software typically goes through a 2-step process to make use of the VST module:

1. - The hard disk location of the VST module is defined to the application and it is scanned for compatibility. Typically it is added to a list of available VST modules kept by the application. Many software applications do this automatically at startup, but this operation is made by selection in MULAB.

2. - When the VST module is to be used by the application (e.g. MULAB), it is selected from the list of available modules and connected into the audio stream.

Although there are a few variations from the 2-step process, I have found that most applications follow this procedure. MULAB is not an exception and we will discuss below how to use a VSTi module as a virtual instrument. The use of VST as an effect (modification of audio signals) will be discussed in a later tutorial. In MULAB, to use a plugin, it must be installed in a Rack strip. (Plugins can also be installed as modules in the Modular Area - but this aspect will not be covered here.)

The VSTi is a Virtual Instrument Plugin (hence the 'i' on the end of VST). It is capable of producing sound through your Audio system. The sound may or may not be triggered by an input, so there are some VSTi's that just generate constant or variable sound but are sort of out of control so to speak. Most VSTi's are triggered by inputs that can be designated by the instrument design. This can be a midi event, or an audio trigger such as a volume level, a frequency point or band, pitch, or other audio source.

Tip: The terminology used to describe VST Plugins varies somewhat. However, the program that 'hosts' the Plugin is usually termed the HOST. In our tutorial, The MUTOOLS MULAB program is the HOST. The VST modules that are installed in your VST folder are the Plugins. In our tutorial, The MULAB program provides much more than acting as a Host - It is providing a multi-track studio for synchronizing several different audio streams and mixing these streams together with individual track controls and multiple plugins for each track. The VST modules are installed in a Rack strip and clips of Audio or Midi events are then assigned to the Rack strip.

Tip: Most of the VSTi (instrument) Plugins are termed synths. (Short for synthesizer). Typically they are sound generators. These plugins typically respond to MIDI events which can be note events or channel controller events (cc). The MIDI events are embedded in a track clip and then sent to the VSTi Plugins by assigning a sequence of MIDI events to a Rack. In some VSTi's the specific MIDI Channels that control the VST Plugin can be assigned, so be aware that this assignment is sometimes necessary. Most VST's are set to respond to all channels, but many drum VST's will only respond to MIDI events sent on Channel 10 (The General MIDI default channel for drum events). Plugins will generally respond to MIDI data sent from the MIDI INPUT Port assigned in the HOST so you can generally use your keyboard controller to test the response of a VSTi plugin. Care must also be taken when sending other controller events and Program Change events that may cause the VSTi to respond. Also be aware that your VSTi may respond to Program Change messages contained in the sequence and may need to be changed or removed.

Tip: If you don't want to mess with VST Plugins, MULAB has a comprehensive selection of built in instruments. Just click on any slot in one of the racks to load an instrument or effect.

Installing a VSTi

For this tutorial, we will use a VSTi that is generally available on the Internet at no cost and has been compiled for both MAC and PC. Many VSTi's have been developed to emulate specific instruments (and emulate them very well). e.g. the Grand 2, a concert piano; The virtual Guitarist, realistic guitar sounds; The virtual bassist, a variety of bass sounds. These are all available from Steinberg and are narrow in scope (a single instrument) but huge in sound quality (and more expensive). There are some other freely available synths that feature many patches (like General Midi) however, to illustrate the use of a VSTi in a simple setting, we have chosen to use just a single track featuring a piano.

We will start with the maxim-digital audio virtual piano henceforth referred to as mda-piano. Use your browser Internet explorer or Mozilla firefox and browse to this address - http://mda.smartelectronix.com/synths.htm. Both versions for MAC and PC are located on thius page. Down load the appropriate file which is an installer. Note: the links to this VST module for the piano may change, So just follow the links until you get to the download page.

Go ahead and link to the downloads. Download the file to your favorite temporary folder but remember where you saved the file (ether mda Piano OSX.sit or mda_piano.exe). The mda-piano is not the utmost piano sound available, but it is small and can be easily loaded and appears to be highly compatible. And has several patches and parameters to create your own piano sound.

For the PC

TIP: Follow the procedure similar to that described in Tutorial 1 - Installation. This general procedure applies to almost every software download from the Internet Typically the software package (a ZIP file or exe file) must be downloaded to your computer and placed in a folder that you can later find. This is the installation file or setup file which must be then executed or unzipped to place the contents of the software package into a permanent folder for use. In the case of the mda-piano the end result will be to extract the mda Piano.dll module from the mda_piano.exe package by double clicking and following the instructions. I also would highly recommend setting up a special folder for VST modules such as MUSICVST. The mda Piano.dll will then be stored in this folder as MUSICVSTmda Piano.dll, so it can be located by MULAB. The zipfile (mda_Piano.exe) contains only a single file named mda Piano.dll which has now been extracted to MUSICVST folder.

For the MAC

TIP: Again we recommend that you maintain a separate DOWNLOAD folder that will receive all of your downloads. Double-click The download link. Then select the DOWNLOAD folder to receive the VST Plugin SIT or DMG file. The VST module may be contained within a SIT or ZIP file which is a compressed format and must be unstuffed by Stuffit which will decompress the files into your DOWNLOAD folder. Just double click on the .ZIP or .SIT file to uncompress the contents. In the case of the mda-piano OSX.sit this will creat a file without an extension named mda piano. Simply drag this file (the VST module named mda piano) to your VST folder. In most cases the uncompressed file will have an extension of .VST, but in this case it does not.

TIP #2: If the file being downloaded is a DMG (Disk iMaGe file), another Disk icon will be created probably on the desktop. Just double click on the DMG icon to start the installation process and follow the installation steps. This process is a little easier, but many times the VST module will not end up in your VST Folder.

Defining your Plugins

Let's get started again by running MULAB. Double-click on the MULAB Icon on your desktop to get MULAB started. If nothing has changed, the last session used will be reloaded.

Now we must remember where the mda-piano is located, it is time to let MULAB know of our new install. This is done by clicking the EDIT Button near the upper left corner of MULAB. Now click on VST Plugin Manager.

This is the list of Plugins that MULAB knows about (probably currently blank). Step 1 is to let MULAB become aware of VST Plugins, so click on Add VST Plugins button at the bottom of the page. (Our illustration shows a few plugins have already been added.)

The explorer display will appear and now you must remember where the mda-piano module was stored. If you followed our suggestion it is located in the MUSICVST folder, so navigate to this folder to find mda Piano.dll. With the VST folder highlighted, click on the OK button. MULAB will then look through this folder for any VST Plugins and add them to the list (database) of VST plugins. The process is displayed, so that you can see what happens and how many plugins are being managed. (If compatibility is an issue, the failed Plugins are noted and you may get a message to respond to skip the Plugin)

Note: You can also select individual VST modules and add them one at a time if you so desire. This is the preferred method for adding a new Plugin.

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Click on the OK button and the managed list of Plugins will be displayed. You should see the mda Piano in the list. Click on the Done button to exit. This completes Step 1 for MULAB to be able to use a VST Plugin. If you add more VST modules to your plugin folders, this step must be repeated in order to add these new plugins to the list (database).

TIP: The List of VST Plugins (database) is contained in a file named VSTPlugins.xml in the MULABSettings folder. It should never be necessary to manually edit this file.

TIP: Mulab also provides a shortcut to install a VST plugin. You can simply drag a VST Plugin .dll file from the Explorer to any slot in a Rack. This will complete the plugin install.

Using a VSTi Virtual Instrument

In MULAB, plugins are loaded into slots in any Rack strip. Typically, midi input is directed to the Rack strip (or directly to the Plugin) by right clicking on the track header and choosing the target Rack or plugin. This links the midi input (sequence and/or midi input device) to the plugin. Later, you will see that this flexibilty provides for routing midi and audio signals freely.
Now that a list of VST modules have been established for MULAB, we can consider the use of the VST module. In the following example, we will show you how to import a MIDI file into Mulab, select a VSTi module as an instrument, and tweak some of the VSTi controls. But first, we will download a midi file for importing into MULAB. Click on this link - BACH.MID - and save the target file in the MULAB folder. This is a Midi sequence for the piano.
After you have downloaded the Midi file, start with a New Session. Click on the File button and select New Session. You will receive a prompt 'Open Session will close this session, OK?' Click on Yes.

Click on the FILE Button again. This time select Import midi file. You will be prompted to navigate to the BACH.MID file location, which is now located in the MULAB folder. Highlight the BACH.MID entry and then click OK. Now click on the Merge Into Current Composition button. (MULAB allows multiple compositions to be arranged). A prompt will appear that allows selection of the Track to which to the first channel of the midi file will be imported and the starting position. In this example, take the default and click OK. The midi file sequence will be placed on Track - Rack 1 - starting at position 1.1.0 (Bar 1, beat 1, 0 ticks). If there were more than 1 midi track, they would be placed on consecutive tracks in MULAB.

The track named Rack 1 will display an image of the events in the imported midi file. To see the actual note events, you can double-click the 'piano' sequence. (We will get into editing later).
By default in a New session, signals on track 1 (midi or audio) are routed to Rack 1, the second track is routed to Rack 3 etc. By right-clicking the track header, you can select which Rack strip to use as a target. In this case, we will just use the Rack 1 strip to hold the piano synthesizer. No changes need be made.

The next step will be to insert the mda-piano VSTi plugin into the Rack 1 strip.

Move your mouse down to the Rack Desk and click on a slot in the Rack strip named Rack 1.

You will be presented with a list of various routings to choose from in the Choose Module box. Maybe only one VST module that is of interest - The mda piano. Click on the mda piano and the Choose Plugin box will close and you will see the mda piano appear in the slot you selected in Rack 1. Additional slots are provided so that you can add effects and sends to other Racks. This makes it easy to add additional plugins for example EQ, Reverb, Filters, etc.

That's it. The VST module is now installed in Rack 1 To hear what the piano sounds like, Click the Play/Stop triangle. Click again to stop the play. Or if your midi keyboard is hooked up, you can play the mda-piano.

Looping Measures

To really get the sound right, it takes some iterative listening and tweaking. This is where the VST really shines because you have all these neat controls to tweak. But often the spot you want to use slips on by all too fast. This is where looping comes in.

To loop the track that is selected, simply right-click in the measure numbers above the track (and below the transport bar). A menu will be presented that allows you to set loop points and toggle looping on/off. From the menu select a loop start and select a loop end. Or you can just drag the loop start and loop end icons to any position on the measure number line. Now when you start the transport it will play to the end of the looped section and start over again at the beginning of the looped section. The Loop can be toggled on and off by click the loop icon (just below the metronome icon in the transport bar.)

Controlling the Plugin

To really get into the nitty gritty of editing the sound, most VST's offer an abundance of tweaks. The mda-piano is no exception.

To make the plugin window appear, mouse down to the Rack Desk again and double-click the mda-piano slot. Alternatively, click on the little up arrow at the edge of the slot. This will open the plugin 'edit' window. Most plugin windows can be closed by using the ESC key or by clicking on the 'X' box.

You will note that there are several parameters that can adjust the sound of the piano - maybe more to your taste. The designer has placed these controls for you to tweak.

Presets

Many VST plugins have been pre-programmed with settings that can be selected by name or number. The 'presets' are stored within the VST plugin or sometimes in external files (.fxb for banks (collections) or .fxp for a single program). Most DAW host programs provided methods to quickly load and save these presets (sometimes referred to as programs). Clicking on the Options button above the mda Piano display opens up a dialog box that gives you choices. Select Choose Program from the drop down box and you will see the specific piano sounds that have been preset for the mda-piano. Click on any of these to select the preset. You will see the sliders move to the new preset positions.

These choices in currently loaded presets are also available by name at the top of the plugin display. Click on the name to display all of the named presets. Click on the arows to advance through the list of presets.

To capture what we have done, so far, requires only to click on the File Button and select - Save Session as .. This will allow you to save the changes into a new session and preserve the original settings for Bach.MuSession. Again you will be presented with an explorer screen where you must navigate to the folder where the new session is to be saved. Highlight this folder and then click on New File button at the bottom of the display. Type in a new name (you don't need to add the extension .MuSession) then click on OK or press Enter. All changes from this point forward will be saved to the new named session. And you can return to this point after exiting, by simply loading this new session.

Now that we can get some music going, it's time to move on to the finer points such as recording some midi events. You will need a keyboard controller for the next tutorial - Midi Recording.

Advanced (Windows Only)

Mulan Free Streams

For those of you that are more familiar with MIDI song development, but want to use a VSTi, I would highly recommend the sfz VSTi module from RGC Audio. This is a Soundfont VSTi instrument that will load and select Soundfont banks and respond to patches. This instrument is supplied as a standalone executable or a VSTi. So it will work with MULAB or any other VST Host program.

If you are familiar with Soundfonts (used in the EMU/Creative line of soundcards) you may have access to a large variety of Soundfont banks which are also available throughout the Internet Download the sfz VSTi from RGC:AUDIO (now under the Cakewalk brand) and install it in your VST folder. Add it to MULAB by clicking on the File button and selecting the VST Plugin Manager. While you are on the net, cruise on over to Hammersound.net and get a copy of the neat General Midi Soundfont bank named sYnerGi-8MB.sf2. This bank contains 128 GM instruments, 8 percussion sets and a few more bonus banks. It works beautifully with the sfz module to provide a complete soft synth General Midi set of sounds. The sound bank download is both zipped and sfpacked so it is only about 6MB. It must be unzipped to a temporary Folder and then the SFPack program is used to unPack it to a Soundfont folder (or the VST Folder will work).

Use the Upper right Rack select window to Choose a Rack for each track and then click in the Rack for each track and add the sfz Soundfont VSTi as the Target. Click on the 'e' Edit button and then click on the sfz File area to find and load the Soundfont of your choice.

Opus De Funk (Horace Silver)

To give you an idea of what sounds can be achieved with this setup, take a look at the arrangement above. Here are 4 sequence tracks (MIDI). Each track chose a new Rack using the sfz sound font player. Each instance of the sfz loaded the sYnerGi-8MB.sf2 sound bank. Each track selected a different instrument e.g. Vibes, Bass, drums (in bank 128), and piano. Fairly easy to set up. The result sounds like this ... OpusFunk.mp3 (double click to listen).

The sequence tracks were ripped from a MIDI file (originally created by Phillip Van Galen). The MIDI file was reduced to 4 tracks using Voyetra Orchestrator Plus (A midi editor - look under Files at the Music By Computer site.). You may note that there are some effects added to enhance a couple of the tracks - Leslie effect on the vibes and Delay (chorus) on the Piano. We will get into effects in a later tutorial.

Polymer Suds (Johnny Pumphandle)

Another neat synth from RGC:Audio is the Triangle II . This synth is totally self contained and is also Freeware.

It has a load of presets, but once you get started with this baby, you will tend to create your own sounds - Look at all those knobs. It is installed exactly like all the other VSTi, so it should cause no difficulties if you follow the simple procedures in the Summary below. The Triangle II also comes with a fairly extensive manual which describes what each of the knobs is used for. Still pretty daunting, but you can create some very satisfying sounds.

Polymer Suds was created entirely using the MULAB program and Triangle II. (Actually the piece was first composed using PG Music midi tools to create the melody and backing and whittled to 4 Midi tracks using the Triangle II synth to audition the patches). The basic midi file was imported into MULAB and then set up on 4 Rack strips. A little reverb was added to give the final sound some depth, but essentially with so many internal settings available in the Triangle II, the effects only get in the way.

Mulab Free Vst Plugins

Once the piece is mixed (see our tutorial on mixing), It is a simple matter to click on the FILE button and select Mixdown to Audiofile which creates a CD Quality stereo audio file that can be burned to a CD or converted to an MP3. For the record, I use the Lame MP3 encoder and Audacity to convert my WAV files to MP3. I find that I can get the best representation using this encoder. This operation can be performed on both the MAC and the PC.

Summary

Here are the steps to using a VST ...

1. Download the setup file for a VSTi instrument
2. Install the DLL or VST file (and any presets) into your VST folder
3. Run the VST Plugin Manager (File button)
4. Select a track and assign a Rack to insert the VST module, the click in an empty Rack slot to load the VST.

The first 3 steps are only needed when a new VST module is installed on your computer.

That's it.