Best Free Guitar Distortion Vst
- Shreddage 3 Stratus FREE includes some of the most useful sounds from the full version, as well as tons of editing features, TACT 2.0, and the Console mixer (see below), giving you all the tools you need to write and produce electric guitar parts.
- . Accurate digital model of a vintage distortion pedal’s circuitry. Resonant low-pass filter modeled on the MS20 analog synthesizer. Self-feedback control for exploring new sonic territory. (In less pretentious language: feeds the output back to the input, which sounds cool on some stuff, and farty on other stuff.
- Marauder is an interesting free dynamic distortion effect which sounds absolutely phenomenal. It is based on a network of four gain stages which work together to create a superb organic distortion effect. It can be used as a subtle saturation tool that can add some warmth to you mix, as well as to create some cool distorted sounds.
- SimulAnalog Guitar Suite – VST guitar plug-in suite This suite of plug-ins models various amps and analogue processors. Among the models are a Boss DS-1 distortion and SD-1 overdrive, Tube Screamer, phaser, modulation, a ’69 Fender Twin and a Marshall JCM900 Dual Reverb.
- The 10 Best Distortion VST Plugins of 2020 include. This is by far a reliable weapon if you need a bit of distortion edge in your guitar, basses, or any other audio.
In this section of our free VST plugins directory, we’re taking a look at the best freeware distortion effects in VST and AU plugin format for digital audio workstations on PC and Mac.
Best Free VST Instruments (2020/2021) Spitfire Audio – Labs Although the Labs series has been available for a while now, new library keeps turning up and continues to bring us a host of new, creative, and esoteric sounds.
Everybody loves distortion. No matter what style of music you make or what kind of sound design you do, distortion is universally used in a way that few other audio tools are. You can use it to warm up sterile digital tracks and give them a more analog feel, add grit and grind to guitars or vocals, or beef up drum tracks to make snare drums cut through the mix better. The applications are pretty much endless.
While distortion plugins used to be somewhat one-dimensional, they have come a long way and have gotten a lot more elaborate. It used to be that gain and volume were pretty much the only parameters that distortion plugins offered, but those days are gone. Now distortion plugins fall into many categories: multi-band and phase distortions, bitcrushers, hardware preamp emulations, dynamic distortions, you name it.
So if you are looking for some new ways to play with distortion, give some of these plugins a shot. Your tracks have a lot to gain.
FuzzPlus 3 by Audio Damage (MacOS, Windows)
While many of the options on this list lean more toward saturation and straight up distortion, the FuzzPlus 3 sits directly in fuzz territory, as the name implies. It offers a low-pass filter, Audio Damage’s take on the same found in the Korg MS-20 synthesizer. You can even feed the processed signal back into the “circuit” for more creative options.
The FuzzPlus 3 sports a sleek interface with five simple control parameters. You can set the specific Frequency and Resonance (the amount of frequency boost) of the filter section, the amount of Distortion, and at the output section – the amount of Feedback and Output Level. Visually, there is a spectrum analyzer that shows you the amount of clipping of the waveform of the signal. It is not extremely accurate, but it does give you a general visual representation of how your signal is being affected.
FuzzPlus 3 is a terrific option for sonic annihilation, and while its usefulness is a bit esoteric, it can add some unique flavor to your tracks. If sonic annihilation is your thing, be sure to check out the amazing Rough Rider compressor which was also developed by Audio Damage.
More info:FuzzPlus 3(VST/VST3/AU/AAX)
Krush by Tritik (MacOS, Windows)
If you’re looking for something more extreme, then try Krush, a multi-faceted bitcrusher. It offers three simple controls to set the type of distortion – Drive, Crush, and Downsample. Drive adds a more traditional distortion, and this parameter applies pleasant amounts of saturation throughout its entire range. Crush sets the bitcrusher controls and can sonically annihilate any signal, while the Downsample control is excellent for creating chaotic 8-bit sounds. There is also a Filter section that features low-pass and high-pass options with controls for frequency and resonance.
The second row of parameters offers modulation controls for the distortion and filter settings, as well as a waveform selector and Rate option. You can sync the modulation to the tempo of your session as well, taking out some of the guesswork. Finally, there are dry and wet sliders to set the overall balance. For electronic styles and sound design, this plugin absolutely crushes it.
More info:Krush(VST/AU)
Temper by Creative Intent (MacOS, Windows)
Throw any preconceptions you have of distortion away! As the only phase distortion on this list, Temper is a bit confusing at first glance. Based on a phase distortion algorithm, it can do what nothing else on this list can – much more than traditional clipping.
The flavor of distortion is set with three controls – Curve, Drive, and Saturation. The Drive knob goes from -10 to 10. With the gain set to zero, there is no distortion at all. At any other setting, the plugin applies a different flavor of distortion that is determined by how the Saturation and Curve controls are set. The Cutoff control sets the frequency of the low-pass filter, and the Resonance controls emphasis. Temper also adds a bit of harmonic excitement.
Showing dry and wet signals simultaneously, the spectrum analyzer gives a solid visual representation of what the plugin is doing to your signal. You might not find much use for it on guitars or a drum buss, but it can do great things for electronic instruments and styles of music.
More info:Temper(VST/AU)
SGA1566 by Shattered Glass Audio (MacOS, Windows)
The SGA1566 is a hardware preamp emulation, and its design is a take on a two-stage 12AX7 tube preamp. It can add a lot of life and fatten up tracks recorded digitally or through solid-state gear. /uri-vst-plugins.html. The plugin is excellent for use on pretty much any mix element, from vocals to bass, as well as a tool for subtle saturation on busses and the master channel.
The control scheme is pretty sophisticated, with knobs for Input and Output gain, as well as a Gain knob that controls the amount of drive to the tube section. One of the coolest features is that the Baxandall EQ section can be placed before or after the distortion, adding versatility. SGA1566 is notorious for eating up a lot of CPU. To remedy this issue, there is a switch for high or low performance, but the sound has more fidelity at the higher setting. It can also be run in mono or stereo.
More info:SGA1566(VST/AU)
Tube Saturator Vintage by Wave Arts (MacOS, Windows)
The Wave Arts Tube Saturator is an authentic digital model of a dual 12AX7 triode hardware preamp. It features a sleek GUI and robust feature set, and while it uses a lot of CPU, it is a fantastic alternative to expensive preamp emulations from companies like Slate and Waves.
As with hardware tube pres, a Drive knob controls the amount of gain, and an Output control sets the level. The EQ section is pre-distortion and allows for control of Bass, Mid, and Treble frequencies. The EQ section can also be bypassed, turning it into a two knob overdrive of sorts. The plugin also sports two toggle switches, one to bypass the EQ section and another to turn on “Fat” mode which simulates changing the bias of the first tube stage to increase gain and saturation.
It’s great for adding color to digital tracks or those recorded with digital or solid-state preamps. Vst plugin massive kickass. It can also add analog saturation to any source. You don’t really have to be judicious with it either, as it pretty much makes any track you use it on better.
More info:Tube Saturator Vintage(VST/AU)
Saturation Knob by Softube (MacOS, Windows)
It doesn’t get any more straightforward than the Saturation Knob from Softube. It is an easy-to-use plugin that will work with pretty much any setup, as it comes in 64 and 32-bit versions in multiple formats. A single knob controls the amount of saturation, and a 3-way toggle switch lets you control which part of the frequency spectrum of your signal is affected by the saturation – Highs, Neutral (changing all frequencies), and Lows.
Saturation Knob is great for adding an analog vibe to sterile digitally-recorded tracks, or when you’re looking for a little warmth and a bit of compression. Throwing it on a vocal can help it sit right in the sweet spot, it can make acoustic guitars cut, and can glue groups of tracks and busses together. The plugin works best as a subtle saturation tool, as there isn’t much gain on tap and the Gain control can get a little smeary around 75%. There is no way to control the output volume, so subtle is the name of the game.
More info:Saturation Knob(VST/AU/AAX/RTAS)
Greed Smasher by Mercuriall (MacOS, Windows)
Best Free Guitar Distortion Vst Converter
Mercuriall plugins are known for making high-quality plugin guitar pedals, and the Greed Smasher takes that a step further as it is an emulation of the Mesa/Boogie Grid Slammer overdrive. Like most 3-knob stompboxes, it features controls for Gain, Tone, and Level.
With the Gain low and the Volume up, it provides a great push when used on the front end of amp sims – just like a real overdrive pedal. Mesa/Boogie products are known for having loads of gain on tap, but even with the Gain maxed out it doesn’t seem to lose clarity or focus.
More info:Greed Smasher(VST/AU)
Marauder by AudioParlour (Windows)
Marauder is the only dynamic distortion on this list. The design is based around two gain stages that determine the character of the distortion, with the signal going through a preamp stage and then being fed into two VCAs. A feedback-style compressor controls the envelope, which determines how the signal is distributed between the gain stages.
It is pretty versatile and is right at home on electronic sources like synths and pads. While it does take a bit of fine-tuning to get the right sound for your source, what you can do with it is impressive. In addition to offering many ways to control the effect, the coolest control is the Mix knob. It allows you to blend in the amount of dry vs. wet signal to taste. Dynamic indeed. Marauder’s biggest drawback is that it is only compatible with 32-bit VST plugin hosts on Windows.
More info:Marauder(VST)
If you need more freeware tools for making music, check out our free VST plugins directory! Enjoy using the plugins listed on this page and please consider supporting BPB by sharing this article on Facebook, Twitter, or your favorite forums. Thank you!
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When I first get started with music production, I wonder why some music producers would want to mess with a distortion effect in their tracks, perhaps, I initially have an understanding that there is a limit for how loud an audio signal can be, once this limit is reached, it would distort and produce an annoying, raspy, fuzzy loud sound that is unwanted for the hearing.
This is where I got it wrong, I was thinking in terms of digital clipping, although not bad as sometimes the DAW peak meter can be somewhat pretentious (use your ear for accurate judgment), but it gets worse when your sound is being cut off when the signal reaches 0 dBFS (full-scale) on a meter, which results in an unsmooth distortion.
Welcome to the world of analog distortion where it is more forgiving in how it distorts when compared to digital, the output waveforms are “rounded” when it reaches the limit. Analog distortion is used creatively by musicians and recording engineers all the time.
Does that mean, you need to buy analog hardware to use a distortion effect, hell no! There are lots of VST plugin emulations that can act as close as possible to the real thing, and honestly, how you use them is strictly a matter of choice, just don’t overdo and trust your ears.
For example, you can use them to warm up your sound, by giving them more character and not too harsh type of sound, and you can also go the other way round, e.g creating an in-your-face, crunchy type of effect. Anyways, it is up to you on how you use it, let’s go over the best free and paid distortion effect VST plugins of the year 2020.
Please use the table of contents to navigate around!
Page Contents
- Distortion Effect Plugins (Paid)
- Chorus Effect Plugins (Free)
Distortion Effect Plugins (Paid)
Starting with…
1.) Trash2 + Expansions
The first giant on our list is the Trash2 distortion plugin by renowned Izotope, this new version is built to feature an entirely new sonic architecture, with optimized performance, pristine sound quality, and better support for modern hosts & formats.
Let’s deep dive into Trash 2 main features:
The edge Trash 2 has over other distortion plugin is that it combines the power of multi-band, dual-stage distortions, and advanced post-filtering for immediate sonic transformation. If you want a warm crunch on the midrange or you want to spice your low end without sacrificing the quality of the sound, then Trash 2 is what you want, it does the job without little to no side effects.
Ideally, you’ll want to use distortion for your guitar or perhaps basses, well, that’s an old story, you can use it for your drums, synths, woodwinds and more as long as it musically connects the rest of the element in the mix.
What if you could design your distortion algorithms? With Izotope Trash 2, you can simply draw in, tweak, and create a plethora of distortions, if you are like me, I’ll go over the 60+ distortion algorithms and adjust to your heart desire.
Creating a distortion algorithm is one thing, morphing sound from one object with the Convolve module is another thing, with this module you can load any .wav or .aiff file into Trash 2, and create a powerful sonic characteristic of your wildest imagination onto any track or instrument., all done with a single mouse click. Also, the Convolve module includes over 100 impulse responses—a collection of amps, objects, animal sounds, and mouth shapes that are ready and waiting to transform your sound.
Another interesting thing about Trash 2 is that you can control the frequencies you want into distortion or tame the ones you don’t want. On top of that, you get over 20+ sweepable filters for tons of tonal options that range from clean and warm to fat and juicy to harsh and clipping.
What I do not like about Trash 2 is that there are lots of options to play with, just too many to count, so, if you are looking for an advance distortion plugin, then Trash 2 is the way to go, if you are looking for something simple and snappy, then I’ll recommend using either Ravage or Distortion Snapin, which are both covered on this list.
Key Features:
- Distort in ways you never dreamed with the Trash module’s 60+ distortion algorithms, perfect for transforming your sound into something never before heard
- Design your unique distortions, from massive to mild and everything in between, with a new, customizable, multiband Waveshaper
- Let your tracks inhabit any space or object with the new Convolve module. Choose from over 100 impulse responses or load your own to put your bass in a washing machine or your keys in a cave
- Find a new voice: make your audio speak and growl with two redesigned Filter modules, each one featuring new vowel formant filters, screaming peaks, node modulations, and more
- Start trashing your audio immediately with an extensive new preset library and an ear-friendly Limiter that ensures you can play without fear
- A Sampling of 30+ Impulses: Voodoo, Muck, Gravel, Big Wheel, Magnum, Taxicab, Powerman, Ignite…
- A Peek at 70 Patches: Electric Blaze, Hard Cider, Parasite, Filter Shred, Bleached, Ugly Couch…
System Requirements:
- Mac: OS X 10.8.5 Mountain Lion – macOS 10.15 Catalina
- PC: Win XP (32–bit Service Pack 3) – Win 10
- AAX (64–bit), AU, RTAS (32–bit), VST, VST3
Let’s get onto the next one…
2.) Subvert
Subvert comes bundled with a plethora of features to create a great distortion effect. It incorporates 5 effects: multimode distortion, FM ring modulator, digitizer, metallizer and multimode filter. Also, it offers three parallel channels of each effects chain as well as a rich modulation routing options.
With its multi-channel layout and per-effect bypass option, you can readjust the order of effects in each chain in a variety of creative ways. On top of that, there are 15 effects processors, global EQ, numerous modulation options, and global randomizer.
Lastly, it has a multi-mode filter which gives you the possibility to set up multi-band effects patches where each channel is processing a different frequency range of the incoming signal. Bypassing certain effects within a chain allows you to globally reconfigure the order of effects, thereby giving you many options in setting up parallel and serial processing patches.
Unfortunately, there are way too many options in this plugin and a little hard on the eye, so, if you need something really simple, you might want to check other plugins on this list, other than that, it is a powerful plugin and gives you the flexibility to create an advanced distortion effect.
Key Features:
- Multi-Channel Distortion
- 3 Parallel Multi-Effects Chains
- Extensive Routing Options
- Extensive Modulation Options
- Global 3-Band Equalizer
- Scalable User Interface
- Win/Mac VST/AU 32/64bit
System Requirements:
- Mac: OS X 10.8 or higher (32 & 64-Bit / PPC not supported)
- Win: Windows 8 or higher (32 & 64-Bit)
- Minimum 2 GB RAM
- Minimum recommended CPU: Core 2 Duo, 2GHz
- CPU with SSE2 support
- VST/AU
3.) Ravage
Ravage is one of the most renowned and simple distortion plugins out there, it features six modeled distortion algorithms: Tube, Digital, Diode, Linear Fold, Zero Sq and Rectify, each with a different personality for adding grit and dirt to audio.
It also has a Drive control for pushing the signal harder, and depending on the level you aiming for, you can also experiment with the Destroy parameter for achieving an in-your-face type of distortion, just don’t overdo. There is also a high and low pass filter, as well as a Dark/Bright slider to weight the distortion’s energy.
One of my favorite features of this plugin is the Ravage’s Movement panel, which lets you assign modulators to one of eight destinations including Drive and Pan. You also can customize an LFO’s movement using nodes and curves to whip up customized patterns. To take your modulation further, Ravage offers playhead reversal, waveform smoothing, and pulse width manipulation.
Key Features:
- Heat things up with 6 distortion types: Digital, Tube, Diode, Lin Fold, Zero Sq and Rectify
- Add movement to parameters using custom-drawn modulation shapes
- Destroy parameter pushes the signal even harder through the distortion processor
- Pan the distortion across the stereo field
- Tailor the distortion response with filtering, input/output gain, and dark/bright weighting
- Reverse, Smooth and adjust Pulse Width for modulator signals
- Auto output control compensates level when Drive is increased
- Oversampling is set intelligently behind the scenes to ensure the best sound quality
System Requirements:
- Mac: 10.12 – 10.14 (Catalina not supported)
- Windows: 7, 8 or 10 (32 & 64-bit)
- VST/VST3/AU/AAX (Pro Tools 11.0.2 or higher)
- RAM: 8 GB RAM or more is recommended. Plus at least 8 GB hard disk space for installation.
- Processor: Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
- Sample Rates: Supported sample rates: 44.1, 48, 88.2, 96, 176.4, and 192 kHz, in both mono and stereo.
4.) Screamo
Screamo is an intuitive distortion plugin that features a few numbers of knobs to get a superb distortion effect, let’s get to know some of its features:
Smear: This is two resonant shelving filters that producers a talk-box-like effect when used with restraint or full-on screamer when pushed hard. You have the option to play with 3 different styles of smear effect: upward, downward or two-way frequency modulation.
Up next is the Drive control which makes your drum loops or synth cut through the mix, this won’t work for all synth or percussion loop for sure, you just have to pay careful attention to details when applying the control. For example, you can push your signal from subtle saturation to extreme overdrive.
Also, you don’t have to worry about syncing, the Smear, Drive, and Makeup controls are all synced together allowing you to create tempo-synced scream effects that would normally be very complex to achieve with normal plugin routing.
I also love the way you can add more control to the distortion, for example, Screamo features the Shape, Speed and Smooth knobs for controlling and designing how you want the waveform to look like, It’s possible to create a slowly evolving talk-box effect or crazy fluttering overdrive – and everything in between.
Key Features:
- 25 Creative Presets for one-click transformations
- 3 Smear modes
- 3 Distortion types
- 5 Sync modulation wave shapes with adjustable start points
- Sync speed control with straight, triplet and dotted rhythms
- Real-time output level display and gain
- Full PDF Manual & Tutorial video
System Requirements:
- VST Windows 7 or higher (32 / 64 bit)
- VST / AU Mac OSX 10.7 or higher (64-bit only)
- AAX – ProTools 11 or higher
5.) Devastor 2
Devastor 2 is a plugin by the D16 Group, and it is built with multiband distortion unit in mind, it has full control over multiband processing, which can greatly enhance your sound,
The way Devastor work is that it has nine different connection topologies between its filters and diode-clipper. So, you can either process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette.
Whether you plan on using it on a percussion loop, guitar, synth and whatever you can think, it can be used to improve the character of the sounds, just make sure you are gently applying it, this way, you can achieve more of a warmth and detail in your sound without introducing unwanted distortions, but if you are looking for something rugged and jagged, you can also push up the knobs accordingly.
Another great thing about Devastor is that D16 Group has built special antialiasing techniques to the output signal to make sure it was devoid of aliasing, this way, it sounds more interesting, warm, and musical, enjoy away.
Key Features:
- Probably the best diode-clipper emulation on the market today
- Analog-modeled filters of extremely high quality (refined filter models)
- Dynamics flattener (with improved peak detection and more natural envelopes)
- Optional output limiter
- Tag-based preset browser
- Two alternative GUI sizes
- MIDI-learn functionality throughout
- 9 different topologies of connections for filters and the diode-clipper
- 64bit internal processing
- Ultra-low aliasing output
System Requirements:
- Win: OS version Win 7, Win 8, Win 10
- Mac: OS version 10.7 and later
- CPU 1.5 GHz with SSE (Multicore system 2.0 GHz recommended)
- RAM 4 GB (8 GB Recommended)
- Software AU / VST / AAX compatible host application (32bit or 64bit)
6.) FabFilter Saturn Distortion Unit
The next distortion plugin on our list is the Saturn Distortion Unit by Fabfilter, it offers a range of numerous high-quality distortion models, which are inspired by the vintage sound of tubes, tape, and guitar amps. To top that, you get three creative distortion styles, with which you can smudge, stretch, crush, rectify, and clip your sounds in weird and unimaginable ways.
There is also a multiband design and per-band feedback module, which can help you narrow down on how you want the distortion applied to your track, on top of all this, you also have the ability to blend in modulation for a great warm and superb distortion effect.
Key Features:
- Sixteen different distortion styles, from subtle saturation to heavy guitar amps and bit crushing
- Multiband processing (up to 6 bands)
- Per-band drive, mix, feedback, dynamics, tone, and level controls
- Per-band solo and mute options
- Optional HQ mode (8x oversampling)
- Mid/side processing
- Interactive multiband display
- Easy-to-use interface, using our innovative what-you-use-is-what-you-see concept
- Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers
- Easy drag-and-drop modulation with 50-slot modulation matrix
- Over 150 presets
- Modulation source signal visualization
- Interactive MIDI Learn
- Unique per-component presets
- Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)
System Requirements:
Windows:
- 32-bit: Windows 8, 7, Vista or XP
- 64-bit: Windows 8, 7 or Vista (x64)
- VST 2/3 host or Pro Tools
Mac OS X:
- 32-bit: OS X 10.5 or higher
- 64-bit: OS X 10.6 or higher
- AU or VST 2/3 host or Pro Tools
- Intel processor
7.) Distortion Snapin
Every kiloHearts plugin I have tried always have a form of simplicity, and to be honest, they are good and straight to the point. Distortion Snapin is one of their product and offers 5 different distortion shapes, which can be used to add a tinge of edge or rip things apart.
It is as simple as that, if you need something complex, then you can check one of the distortion plugins above.
System Requirements:
- CPU: 2 GHz or faster
- Memory: 1 GB or more
- Operating System: Windows (7 or newer) or Mac OS X (10.7 or newer)
- A VST / Audio Unit / AAX compatible DAW
- Supported formats: AAX / AU / VST2 / Snapin
Chorus Effect Plugins (Free)
8.) Temper Distortion
Temper is a modern digital distortion plugin by the Team at Creative Intent, it features a rich saturation stage and a unique phase distortion. You can use the variable saturation curve to add warmth and edge to your sound and let the phase distortion bring character and clarity through your mix.
It also features a simple resonant lowpass filter and a feedback path to drive the intensity of the tone.
If you are a plugin developer, I would want you to know that the open source is widely available, you can contribute and glance through the code, you can even the tweak it to your use cases, that is the beauty of open-sourcing.
Video Sneak Peek:
Features:
- Unique Phase Algorithm: Temper delivers a unique phase distortion algorithm that adds energy and clarity to any element of your mix.
- Before & After Visualisation: Temper’s design features a real-time comparison of your input and output audio spectrum to help you see your sound.
- Multiple Formats: Available in VST, VST3, AU, and AAX for both Windows and Mac OS X.
System Requirements:
- Windows: 64-bit VST2, VST3, AAX
- macOS: 64-bit AU, VST2, VST3, AAX
- Microsoft Windows 8.1 or newer, and
- MacOS 10.9 or newer. Note: Catalina
- compatibility and AAX support for Remnant is coming soon.
9.) Rangebastard (Free Distortion Treble Booster Plugin)
When it comes to emulating distortion effects, I give Distorque Audio 90% rating, and now they present Rangebastard which is an emulation of a Dallas Rangemaster with added controls for tweaking or for use as a full-range booster, an overdrive, and more. Also, it supports both mono, and stereo, and has 2x oversampling.
About Rangematser
The Rangemaster was a Germanium transistor treble boost developed in the 1960s. It and similar effects have been used by Eric Claption, Brian May, and many more great guitarists. It’s most often used to drive a distorted tube amp into more distortion, while boosting the upper-mids for a screaming lead sound.
Features:
- emulation of a Dallas Rangemaster
- overdrive
- full-range booster
- 2x oversampling always on
- Input Level – This is a volume control on the input of the effect. You can adjust this to compensate for different pickups, different input levels, etc. It can also be cranked to overdrive the simulated transistor.
- Input Filtering – This adjusts the amount of filtering that is used on the input, which gives the ‘treble boost’ frequency response. Turn it down for a full-range boost, or put it at maximum for the normal Rangemaster sound.
- Treble – This allows you to roll off some of the high ends. This is useful to avoid harsh distortion if you are using the effect as an overdrive. You can also turn this down along with the Input filtering control for a mid or bass boost.
- Transistor – This lets you pick between two simulated transistors
- Stereo/Mono – This switches the effect between Stereo and Mono operation.
- Grid Current – Turning this above zero activates an emulation of tube grid limiting clipping. That’s the tube distortion caused by the Rangemaster overdriving the input of a tube amp. The higher the control, the more distortion.
- Pickup – This emulates the interaction between the Rangemaster and guitar pickups. For the most accurate tone, set this to match the kind of pickup that you’re using. The ‘None’ setting turns off the pickup filtering, emulating running a buffer before the effect or using an active pickup.
System Requirements:
- PC and VST only.
10.) TAL-DAC (Free Bit-Crusher)
TAL-DAC is a free bit crusher and sample rate reducer by TAL Software.
It is based on the TAL-Sampler sound engine, and emulates a sample recorded on a low sample rate with reduced bit depth, and upsamples it to the desired host sample rate.
Also, it is possible to choose different algorithms for the upsampling process to emulate the characteristics of different samplers.
Features:
- A low and high shelf EQ together with an AMP Drive in the reconstruction section allows it to approximate the sound character of different sampler AMP’s.
- Also, it is possible to emulate hot recorded signals using the input volume knob.
- This plug-in can be used on a wide range of audio material, but it’s especially useful and authentic on drum sounds.
- Recording stage with input volume control and soft clipper (adds odd harmonics).
- Variable recording sample rate (1000Hz-44100Hz).
- Variable recording bit-depth (4bit-16bit) with different algorithms (mu-law, mu-law delta, linear).
- Reconstruction section with different reconstruction methods (hold, variable, linear, S1000/sinc).
- Very steep reconstruction filters (optional).
- AMP drive (add’s even and odd harmonics to the signal).
- A high- and low shelf filter (12dB).
- All non-linear components are 8x oversampled to avoid aliasing.